Skip to content
LALT-Iso-Black
  • menu
Search
Close this search box.
  • English
  • Español
BOOK REVIEWS
Issue 5
Hunter of Stories by Eduardo Galeano
By Arthur Dixon

In 2015, with the death of Uruguayan writer Eduardo Galeano, Latin America lost one of its finest literary voices and one of the staunchest critics of the exploitations of its people and resources for over five hundred years. During a life spent largely in exile, fleeing military regimes in both Uruguay and Argentina, Galeano wrote books that earned his reputation as an outstanding author of the “Boom” generation and a prominent opponent of capitalist and colonial policies. His most famous work, Open Veins of Latin America (1971), traces the story of colonization from the arrival of Europeans in the “New World” to the brink of the Uruguayan military coup whose leaders banned the book in 1973.

Nonfiction
Print Friendly, PDF & Email
  • January, 2018

Hunter of Stories. Eduardo Galeano. Trans. Mark Fried. New York: Nation Books. 2017. 272 pages.

Hunter of Stories by Eduardo GaleanoIn 2015, with the death of Uruguayan writer Eduardo Galeano, Latin America lost one of its finest literary voices and one of the staunchest critics of the exploitations of its people and resources for over five hundred years. During a life spent largely in exile, fleeing military regimes in both Uruguay and Argentina, Galeano wrote books that earned his reputation as an outstanding author of the “Boom” generation and a prominent opponent of capitalist and colonial policies. His most famous work, Open Veins of Latin America (1971), traces the story of colonization from the arrival of Europeans in the “New World” to the brink of the Uruguayan military coup whose leaders banned the book in 1973.

Hunter of Stories is Galeano’s last work. It contains over two hundred pieces of writing, none of which exceed two pages, representing the final phase in a lifelong project of documenting the realities of Latin America. Galeano does not tell new stories; instead, he unearths and retells stories from other sources, recombining them to form a collection that is readable in any order. He shares stories from Latin America’s colonial and recent history—along with many tales derived from indigenous cosmovisions—to present a portrait of the region’s past that uncovers the powerful forces behind its present. The brief texts function simultaneously as short stories, history lessons, and moral aphorisms, and the book reads quickly thanks to Galeano’s simple yet revelatory language, rendered into English with elegance and precision by translator Mark Fried.

Hunter of Stories affirms three truths that define a measure of Galeano’s legacy. First, “social” writing is not always artistically unambitious; in the right hands, it can reach the same heights sought after by the most “literary” of authors. Second, important messages can be communicated in small spaces. And third, sometimes it is better to retell old stories than to invent new ones. Galeano proves that we must look to the past and consider the circumstances that made us who we are in order to understand the present and plan for a brighter future.

All told, Hunter of Stories is a fitting bookend to Galeano’s impressive literary career and a necessary book for all those who, like the author, care for the suffering of others and believe in the power of words to change minds and, perhaps, the world.

Arthur Dixon
University of Oklahoma

Published in World Literature Today, November 2017

PrevPreviousDiarios 1988-1989: La insubordinación de los márgenes by Victoria de Stefano
NextEl canto y la piedra by Mijaíl LamasNext
reviews

Confieso que escribo (I Confess That I Write) by Gustavo Gac-Artigas, translated by Andrea G. Labinger and Priscilla Gac-Artigas

By Graciela Tomassini

Expiatorio by Geraudí González Olivares

By Lara I. López de Jesús

El caballo dorado by Sergio Ramírez

By Nicasio Urbina

Confieso que escribo (I Confess That I Write) by Gustavo Gac-Artigas, translated by Andrea G. Labinger and Priscilla Gac-Artigas

By Graciela Tomassini

Expiatorio by Geraudí González Olivares

By Lara I. López de Jesús

El caballo dorado by Sergio Ramírez

By Nicasio Urbina

Volver a cuándo by María Elena Morán

By Pablo Caraballo
Footer Logo

University of Oklahoma
780 Van Vleet Oval
Kaufman Hall, Room 105
Norman, OK 73019-4037

  • Accessibility
  • Sustainability
  • HIPAA
  • OU Job Search
  • Policies
  • Legal Notices
  • Copyright
  • Resources & Offices
Updated 06/27/2024 12:00:00
Facebook-f X-twitter Instagram Envelope
Latin American Literature Today Logo big width
MAGAZINE

Current Issue

Book Reviews

Back Issues

Author Index

Translator Index

PUBLISH IN LALT

Publication Guidelines

Guidelines for Translators

LALT AND WLT

Get Involved

Student Opportunities

GET TO KNOW US

About LALT

LALT Team

Mission

Editorial Board

LALT BLOG
OUR DONORS
Subscribe
  • email
LALT Logo SVG white letters mustard background

Subscriptions

Subscribe to our mailing list.